The British synth pop duo Hurts will hopefully always have their romantic melodrama and discreet sophistication as their trademark. Both qualities can definitely be heard as much on their new album as their previous breakthrough debut Happiness - Exile is thankfully just as magnificent as its predecessor, just a tad darker. In where Happiness even had some very danceable and hopeful tunes, Exile floats forward in much deeper waters even when there is a beat to dance to. I for one believe Exile is going to be just one of the many milestones for a band that will be marked down in history.
I found Hurts right away when they came out with their debut. I was sold right away and thrilled to finally have something new to the table as I had started to feel very frustrated about mainstream music.
Happiness took my heart right away and I was nervous to find out if
Exile could fulfill my expectations that were very high.
Exile starts with exhilarating electronic sounds, turning the blood in my vains into anxious excitement and anticipation. As the vocals hit in I find the melody to be almost hopeful. It sounds like this is going to be a very significant journey to somewhere very special and I am definitely ready for the ride. This is "Exile."
The second song of the album is also the first single off of it; "Miracle" has such a dark an theatrical atmosphere in it that I almost feel like my body is possessed or ready for resurrection. I completely understand why this song in particular was picked as a single as it's really catchy, has a very compelling beat and sounds perfectly like Hurts. The song sounds huge, like it could break down a small building if it wanted to - and I'm guessing that Hurts definitely wants to.
The third song "Sandman" begins with a beat that almost has an r'n'b vibe to it. The song was available for a free download on Hurts's official site before the album was out and therefore was also the first song I heard from the album entirely. It sets a pretty accurate preconception of the album; catchy, dark, anthemic and haunting. The song is accompanied with a creepy choir of children in the background and the choir theme slightly continues to the fourth song "Blind" which also sounds like a continuum for "Sandman" as the beat resembles the beat.
I have to say that overall the track listing on the album seems very well built and thought out, it works really good and flows forward perfectly. The album has a lot of potential songs to be picked as singles and "Blind" is definitely one of them. It is also slowly growing to be one of my favorites from the entire album.
The next song "Only You" has something very similar to the breakthrough hit "Wonderful Life" from their debut album, especially comparing the choruses. However "Only You" sounds less grand; it's rather a weaker version of "Wonderful Life" and also the weakest song on Exile. This doesn't in any way mean the song would suck, I think it has a very important place on the album considering the overall flow.
The sixth song "The Road" starts with Theo Hutchcraft showing off his brilliant (I'd like to say overbearingly sexy, but I guess that wouldn't be professional at all (with that note, people like Theo Hutchcraft shouldn't be granted a permission to sing words like "penetrate")) voice. At exactly minute through the song, it surprisingly explodes all over the place making chills run through my spine and making me feel distraught and mesmerized at the same time. After the chorus the song immediately shrinks back to half feet tall until it slowly grows back to explosion again. Simply genius. The road also has some slight dubstep vibes in the end that make the song sound even more versatile and impressive. Very well done! Kudos!